image of abandoned buildings. No people
anywhere. The only sounds are the WIND and COLES BREATHING.
EXT. ANOTHER CITY STREET - MINUTES LATER (NIGHT)
COLES light reveals abandoned vine-covered automobiles.
Moving to the nearest car, COLE searches in the vines for
something. Finds it. An insect.
COLE takes the bug in his gloved hand. As he clumsily inserts it
into a collection tube, something makes
drone.
Until a new noise starts. A WHOOSHING NOISE.
The sound is very faint. But distinct from everything else.
Jacob frowns.
The noise gets LOUDER. Jacobs sure hes hearing it now. He
looks at the Greyhaired Man. The man catches his eye and the
two of them stare at each other for a heartbeat - then Jacob
turns away. The Man returns to his book. And Jacob
immediately turns back to him.
JACOB
giving them another
chance to survive, but this time as
they were meant to, without mans
interference.
The source of the voice is JOHN HAMMOND, the founder of InGen
and creator of Jurassic Park. But hes not in the room. His
image is on a closed circuit TV screen, which has been wheeled
up to the end of the table.
And he doesnt look good. Hes terribly infirmed, propped up
in bed, his face pale an
image of Lex Luthor --
commanding, corporate, suave, bald... And ominous.
LEX (V.O)
Greetings. This message -- transmitted in
over one hundred languages -- comes to
you from Earth.
Brainiac regards the message curiously.
LEX (V.O.)
I am Lex Luthor, owner and C.E.O. of
LexCorp -- a vast and powerful
conglomerate that dominates trade on this
planet. To whatever life form that may
receive this, I ex
image lurches as he sweeps
the grounds, locating the boathouse.
6 EXT. BOATHOUSE - NIGHT
Concealed in the shadows, Harry is shucking out of his drysuit.
Underneath is he is wearing black tux pants, suspenders,
cummerbund and a formal shirt. He puts a tiny plug, like a
hearing aid, deep in his ear canal. A SUB-VOCAL TRANSCEIVER.
Very advanced.
HARRY
Switching to sub-vocal. Gib, you
copy?
GIB (OVER
A blurred image forms on a white screen. A horizontal strip of face, eyes motionless and unblinking.
DAVID (V.O.)
Take trust, for instance, or friendship: these are the important things in life, the things that matter, that help you on your way. If you cant trust your friends, well, what then?
EXT. DAWN
A series of fast-cut static scenes of empty streets.
DAVID (V.O.)
This could have been any
images say enough.
Men, women and children are herded off the train like
cattle toward a large open yard. There they huddle until
the Germans begin to shout and shove through the mob.
EXT. FENCE CORRIDOR - DAY
We are looking up at rows and rows of fences topped with
barbed wire all designed to create a separator for the
thousands of Jew who pour through each day.
Then we see the eyes themselves t
image
she shared with Ken...
of Marvins flaccid
microscopic member...
jiggling up and down
as he tiptoed naked...
across the icy floor
oftheir home...
to close the storm windows.
lt was that she
had never loved him...
but she wanted children to retaliate
against her sister...
who was not maternal, and whose
every inch, Leslie felt...
was occupied by gluttonous
self-love.
Ken fondled Leslies large
image, gentlemen.
Beautiful weather. Affordable
housing.
(re: model)
Trouble-free transportation. And
the best police department in the
world to keep it all running
smoothly.
모
EXT. STOREFRONT - NIGHT
A dozen people watch a display windoe TELEVISION as it
rolls the opening of the hit show "Badge of Honor." Over
familiar THEME MUSIC, "Sgt. Joe Reno" (actor BRETT CHASE)
walks the streets of Los A
DRONE of flight. Welles is shoehorned into his
aisle seat, using tiny utensils to eat his tiny meal.
An OLDER WOMAN arrives in the aisle. Welles picks up his
tray, closes his tray table, unbuckling his seatbelt,
struggling to get up... finally successful, balancing his
tray, letting the woman in to the window seat.
OLDER WOMAN
Thank you.
Welles nods, forcing a smile, sitting back down. He retu